Category Archives: Music

Renaissance Music at ‘berg: A Brief Review

We are into the final third of the semester, and all the work the students have been putting into their performance courses is bearing fruit. Concerts galore! Free concerts, on campus, no less. What are you waiting for?

Tonight the spotlight was on Collegium Musicum, an ensemble that allows students to explore music from the Renaissance and Baroque. It is amazing to think that we have this semester eleven talented students on campus who are sufficiently interested in this type of music (“old and dead” to many) to dedicate their Thursday afternoons to weekly practice, under Dr. Ted Connor‘s expert guidance.

Yesterday’s concert was big, electric, exploring (and exploding into) the space of Egner Chapel in search of optimal acoustic effects, with repertoire that roamed far and wide through space and time. The approach to today’s concert could not be more different: small, intimate, cosy and warm, inviting the listener into the performer’s space, and with a clear focus on a specific time and place (European composers who lived between 1492 and 1648), but equally satisfying for the listener. This was high quality playing and singing, and every now and then I felt myself transported somewhere far away from the twenty-first century.

The group was seated in the acoustic sweet spot, at the head of the chapel (my church terminology in English is not great, somebody tell me what that part is called in proper English, please), with the audience sitting right near them. It was great to hear and feel the music, as if  we were in somebody’s living room where a group of friends just wanted to have some musical fun.

The focus on this specific repertoire still allowed for a lot of variety: some songs were performed with all singers, others as solos with the bass viola da gamba and lute. There was an a capella quartet, a couple of instrumentals and throughout different combinations of voices in beautiful melodies that wove around each other, and changes of instrumentation (with lots of tuning, since they all play period instruments and gut-strings need a looooot of tuning).

The lush sound of the songs with larger formations notwithstanding, for me the outstanding moments were two more intimate ones: “No grave for woe” (Philip Rosseter), and the almost introspective “Fantasia No. 1” (Giovanni Bassano). The first tugged at the heartstrings with such desperate sadness, the latter was performed so delicately it became transparent.

As a flute player, I couldn’t help but feel sorry for the flute in its one outing tonight being buried under the other sounds, and I hope to hear more of it in future concerts (if the Collegium is taking requests, here is one!). And perhaps it was a conscious choice not to include the words of the texts, so the audience had to focus on the music per se, but I always like to have a glance at the lyrics before the song starts. Nevertheless, this was overall another fine instance of the music program at Muhlenberg doing something fantastic: bringing music back to life, and inviting an audience to share in a wonderful, intimate experience.


Choir Music at ‘berg: A Brief Review


If you are a member of the Muhlenberg College community and you weren’t in Egner Memorial Chapel on Friday night, what on earth were you doing that was worth missing this fantastic concert from the Women’s Ensemble and the Chamber Choir? The work that Dr. Chris Jackson has done in three semesters with these two groups is phenomenal, and this evening the students showed how versatile they are as performers. If you weren’t there, you missed out BIG TIME. (Disclaimer: Chris and I are in the same “cohort” of 2017 incoming faculty, I may be a bit biased, but it’s still darn good choir conducting and programming.)

During the concert both choirs made clever use of the chapel’s physical space, singing from different parts of the chapel to highlight change, transformation, and searching journeys that formed the theme of “Pilgrimage” tying all the pieces together. “Statements” by Hans-Jørgen Nielsen progressed over a number of repeats from the back of the chapel to the front, for instance.

The programme ranged wide in styles, times and space: from a motet by Hildegard von Bingen and more recent work using her words, to Gustav Holst “Hymn of the Travelers”, to “Knowee” by Stephen Leek, based on an Australian myth and featuring extended techniques such as throat-singing. Many of the pieces have harmonies that deviate considerably from the average western traditional music, but the students didn’t miss a note. (If they did, I never noticed, so that’s alright 😉 )

For me personally the highlight was the series “Behind the Caravan: Songs of Hâfez” (Abbie Betinis), sung with such intensity and emotion! The viola (expertly played by Ms. Margaret Jackson) and percussion (Prof. Thoma) added just the right touch to transport us all to some mysterious place within a Middle Eastern context, without becoming Orientalist. In particular “boatpeople” did something to me that I cannot express in words– the closest I come is that I touched the universe. If the ensembles are taking requests, I’d love to hear this one again, sooner rather than later!

SMART goal* for my flute practice

*Smart goals are:

  • Specific
  • Measurable
  • Achievable
  • Relevant
  • Time-based


The flute is a cruel mistress (it’s a feminine word in the languages I can think of that do gendered nouns). To be more precise: she’s a harsh but fair one. She holds up a mirror and gives instant feedback on how much effort you have put in, and how focused you are. For me: three consecutive days of not playing, and the high notes in the third register become elusive; thinking of anything but the piece in front of me, and my fingers stumble in the search for notes as I try to speed up some passages. Continue reading

New job, new hobby, new me | Nieuwe baan, nieuwe hobby, nieuwe ik

Voor Nederlands, gelieve verder naar beneden te rollen!

It’s been quiet on the blog, I know. This final semester at Princeton has been extremely demanding in different ways. Jobhunting and teaching are the most obvious ones, but there was also some travel (for fun and for work) and then the simple need every now and then to hide under a rock and listen to lots of good music to keep me human. Continue reading

Competition! | Wedstrijd!

Update 18 Dec. 2015

Due to lack of interest, no winner can be chosen. The 7-day ticket will go to a deserving friend.

Door gebrek aan interesse kan er geen winnaar uitgeroepen worden. Het 7-dagen toegangspasje zal naar een vriend gaan die het meer dan verdient!

Win 7 days of full and free access to the Digital Concert Hall!

Continue reading

Amai! Wie had dat gedacht? | My word! Who would have thought?

Vorige maand is een stukje muziekgeschiedenis geschreven in het dorpje Gijzegem waar ik het eerste stuk van mijn leven sleet. Het volledig gerestaureerde van Peteghem orgel in de St.- Martinuskerk werd officieel ingespeeld!
Dat orgel dat daar jarenlang hoog boven de ingang van de kerk hing, dat is blijkbaar een belangrijk stukje erfgoed. Er bestaan nog wel orgels van deze orgelbouwende familie, maar het mooie aan het exemplaar in Gijzegem is dat het grotendeels is gevrijwaard van verbouwingen en “verbeteringen”. Het is nu volledig hersteld in de oorspronkelijke staat van 1774-76 en mag gerust gezien en gehoord worden. Ik had tijdens mijn kinderjaren wel vaag iets gehoord over hoe geweldig dat orgel ooit geweest was, maar het was al lang onbespeelbaar. Nu weerklinken de mooiste tonen weer uit de pijpen.

A small piece of music history was written last month in the village Gijzegem where I spent the first part of my life. The first official concert was played on the van Peteghem organ in the village’s St Martin’s church, after a successful restoration.
So it turns out that that organ hanging over the entrance of the church all those years is a very important bit of cultural heritage. This is not the only van Peteghem organ in existence, but this particular one has largely escaped the tendency of our forefathers to “improve” and “rebuild”, and it is now restored to its original state of 1774-46, and it is equally pleasing to eye and ear. During my childhood I had been told that it once had been a very nice instrument, but for donkeys years it was no longer in use. Now, however, the pipes produce the most beautiful tones once again.

Excuses voor de kwaliteit- iPhone foto’s zonder bewerking!
Apologies for the quality- iPhone pics without any further processing!20140709-212217-76937662.jpg


Volgende drie foto’s: stoppen, orgelpijpen in de kast, en het klavier. Next three pictures: stops, pipes in the “cupboard”, and the keyboard




De originele terracotta vloer van het doksaal is terug te bewonderen. N.B. geen pedalen bij dit orgelklavier. Dat blijkt helemaal geen probleem te zijn om toch mooie muziek te maken.

The original terracotta tiles on the rood screen (choir screen) are on display again. Note: no pedals to go with this organ keyboard. It still makes marvellous music.


Wil je het orgel horen? Dat kan. Dit historisch orgel wil bespeeld worden, en de organisten onder ons kunnen er zelf op komen spelen- ik breng jullie graag in contact met de vereniging Vrienden van het Orgel van Gijzegem. Voor de anderen is het volledige programma van het eerste concert op 1 juni 2014 op CD opgenomen. Bestellen kan je hier. Het boekje bevat uitgebreid uitleg over het orgel, de restauratie, en de stukjes muziek, de kwaliteit van de CD is technisch heel verzorgd, en de muziek is… hemels. Ik stond ervan versteld toen ik de CD voor de eerste keer hoorde. “Dat is opgenomen hier in Gijzegem?!?” Amai. Wie had dat gedacht? Cultuur en geschiedenis van de bovenste plank hier vlak om de hoek bij mijn ouders.

If you want to hear the organ, you’re in luck! This historical organ wants to be played, and the organ players among us can have a go- I’d be more than happy to get you in touch with the Friends of the Organ in Gijzegem. For the less talented, the entire playlist of the first concert on 1 June 2014 has been recorded on CD and you can order via this site. (If the Dutch language troubles you, I am more than happy to be a go-between. The booklet does, however, provide a full English language translation with details of the music and the organ restoration.) The technical quality of the CD is extremely high, and the music is… to die for. When I first heard the CD I was dumbstruck. “That has been recorded on the organ in Gijzegem?!?” My word, who’d have thought! Top-notch culture and history right around the corner from my parents’!

De St Martinuskerk zelf is ook een bezoekje waard. Ze maakt deel uit van Open Kerken, en je kan ze bezoeken: van 1 juni tot 30 september: vrijdag – zaterdag – zondag : 13.30 – 18.00. Meer info op de Open Kerken website.

St Martin’s Gijzegem is also worth a visit. The church is part of the Open Churches project, and you can visit! 01/06 – 30/09 : Friday – Saturday – Sunday : 1.30 pm – 6.00 pm
More info on the Open Churches website.

Welke stukjes geschiedenis zitten er bij jullie om de hoek? Laat me weten via de reacties en misschien kom ik langs! Do you have any pieces of history hidden around the corner? Let me know in the comments, and I’ll try to drop by!